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“... makes Rusbridger’s non-event of a book easily forgotten. In the case of William Eberhard and Bettyann Kevles, the sense of linguistic imprisonment is more important, raises much more interesting questions. For what their books are about, as against how they talk about it, matters. And particularly in Eberhard’s case, entombed in the sunless world ...”

“... This is probably why some of the connections between medical imaging and works of art that Bettyann Holtzmann Kevles suggests seem shaky, and why, in much of the work which uses them, X-rays and scans are not much more than reminders, of a quasi-Jacobean sort, of the skull beneath the skin. It is easy, too, to push ...”